Chapter
12. (part)
Magic of Creativity
When exploring the
secrets of art and
creativity, Rudolf Steiner wrote: "We do not create by merely imitating
a model; we create by immersing ourselves in the force used by nature
to
form and create the human being. We shape things as nature does."
(Steiner, 1998). In other words, for the Individual to create means to
experience the Universal – its creative self-organizing forces and the
ways they express through the Individual.
Each human being is a microcosm - a kind of fractal, in the terms of
chaos theory, which mirrors the macrocosm - the universe, Of course,
humans are not fractal in the same sense as in the pictures of
Mandelbrot's fractals. The shape of the human ‘fractal' quite possibly
differs from the shape of the 'cosmic’ fractal. The similarity is
in the ways in which the dynamics that are responsible for the
creation,
sustenance and destruction of everything that exists, express in equal
terms at the scale of humans and at the scale of universe.
These dynamics are ubiquitous: they act through every single animated
or non-animated entity. The gigantic spiral formed through the whirling
motion of the galactic dynamics mirrors into similar spiral-like
dynamical structures of entities existing at smaller scale levels. What
unites these structures is the rhythm pulsating through each of them
and
sustaining their vorticity - an important holistic characteristic of
their whirling motion. The larger the vorticity, the greater the
self-organizing forces produced and sustained by it.
In terms of our inquiry, the urge for creativity can be understood as a
self-organizing force produced and sustained by vorticity of human
dynamics, although 'vorticity' and 'dynamics' here mean something other
than just the characteristics of a whirling motion.
12.1 Integrity and Centeredness
Human thoughts, which are free from captivity or attachment to rigid
mental patterns (such as fix-ideas, routines, standards, dogmas), can
be
characterized as dynamical. Human emotions, which are free from
suppression or paralysis of emotional patterns like fear, hatred,
pride,
jealousy, can be also characterized as dynamical. Although one’s
actions
appear dynamical from a physical perspective, they can be stuck into
monotonously repetitive patterns and thus deprived of ability to
change. In short, one’s thoughts, emotions and actions are seen as
dynamical, if they can move and change freely in one’ experiential
space.
Vorticity implies not only intensive dynamic interactions through all
kinds of positive and negative feedbacks, but also centeredness of
these
interactions; if there is no centre, no rotative or spiral motion is
possible. Applied to the dynamism of human thoughts, emotions and
actions, vorticity means the following: (i) the thoughts, emotions and
actions not only move and change, but also interact and through these
interactions mutually affect their intensities and orientation; (ii)
while interacting in the experiential space of a specific individual,
the thoughts, emotions and actions remain jointly connected to a common
centre, which is responsible for their integrity.
The second condition is crucial for emergence of a creative urge out of
vorticity of individual dynamics; they must be centred. What needs to
be
emphasized is that the centre must be in the experiential space of the
individual. At first sight, this condition appears as a trivial one; is
it possible for the centre not to be in the same experiential space
where the thoughts, emotions and actions emerge, sustain and evolve? It
is not only possible; it is a common practice.
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